Wednesday, July 23, 2014

The Bridge - Season 2, Episode 3 "Sorrowsworm" Review


            Many people’s definition of an “epic” (movie) is one that is generally over three hours long with grand scope, a very big and grandiose plot, and incredible, huge action sequences. Films like Braveheart, The Lord of the Rings Trilogy, Troy, Lawrence of Arabia, etc. are thought of as epics. Though, there are some who think that other types of films can be considered epics. Although this is just a 45 minute episode on television, it seemed like an epic to me.

            In this third episode of the second season of The Bridge, we finally see Steven Linder (Thomas M. Wright) and Charlotte Millwright (Annabeth Gish) again, for the first time in season two. And there are no other essential characters cut out of the episode. We hear from Sonya Cross (Diane Kruger), Marco Ruiz (Demian Bichir), Lieutenant Hank Wade (Ted Levine), Daniel Frye (Matthew Lillard), Adriana Medez (Emily Rios), Eleanor Nacht (Franka Potente), Captain Robles (Juan Carlos Cantu), Fausto Galvan (Ramon Franco), and of course Steven Linder and Charlotte Millwright. And somehow, all of these different stories flow together perfectly. Every one of those characters gets their time in the episode. With the script written smartly, the direction very understanding and cohesive, and editing that makes all of the scenes lead into each other well, the episode turns out very well done.

            In this episode, Sonya and Marco continue working on the search for Eleanor, while she is starting to move on and eventually get back to Juarez. Daniel and Adriana are still inspecting the “money house” from the end of the last season, and trying to find out who killed whom and why all of this is happening. Steven Linder visits Eva for the first time in a while. Charlotte’s people lose some of their drugs to something set up, but they don’t know what, and have to figure out what to do.

            Although my rating for this episode and last episode are very close together, I feel that I like this much better. That is because it brings back some of the things that were so great last season. It pushes the boundaries, does original things. The tone is very dark, sad, and slightly disturbing. The characters are very well realized through the script and they make the logical decisions. The characters are actually relatable enough that the characters alone make the show interesting. This is almost all thanks to the near brilliant writing. The dialogue is very compelling in this episode, but also realistic. The events of this episode are very well thought-out, and the layout for this episode is very good. Although we don’t learn much more about Sonya, Marco, Hank, Charlotte, Steven, or Daniel, the character of Eleanor Nacht is built upon even more in this episode. Last episode we realized how bad she was, and in this episode we realize how crazy she is. What happens with the rest of the characters is mostly plot-related, but there are bits of character development in the episode, which is enough for the limited time each character has in the episode. And this also makes the episode very fast-paced and intriguing from beginning to end. Not once was I bored watching it.

            The direction is also one of the aspects of the episode that makes it great. Each scene is so well acted that feels as if the director has an incredible influence on all of them. Each scene is also done so greatly that I could have watched them go on for hours. It’s one of the things people compliment the Coen brothers about: that every scene is executed flawlessly. Here, I don’t know if every scene is executed flawlessly, by director Stefan Schwartz definitely does a great job with it.


            The main reason I consider this episode somewhat of an “epic” is because it takes several different storylines and puts them in this one episode. There are crossovers in some one of them, but for the most part in this episode, they don’t happen. The different stories are put together so well they flow together as if they are connected. This episode of The Bridge reminded me of the great things that were in season one of the series. It's a superbly written and directed episode.

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