The
astounding director David Fincher (Se7en,
The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network, The Girl with the Dragon Tattoo) gives us his latest
installment, Gone Girl. This film
includes stars such as Ben Affleck and Rosamund Pike. A story exploring the
power of media, it pulled me in soon. I was engaged.
On the anniversary
of Nick Dunne (Ben Affleck) and his wife Amy Dunne (Rosamund Pike), Amy
randomly goes missing, and although things have not been great between the two,
Nick works to try to find her. Many people think Nick killed her because of
what the media says, but the cops have no evidence, even though they are
not exactly on his side.
That is the
initial plot of this movie, but it goes in so many different directions that it’s
hard to summarize the primary plot of the movie without spoiling anything. But that
is the plot of the first act of the film, and you can see where it goes from
there…
As reflected
in my rating, I loved Gone Girl. This film was absolutely incredible. I was
glued to the screen throughout the entire run time of this movie. And that is
thanks to the incredible David Fincher as well as the main actors (Ben Affleck,
Rosamund Pike, Neil Patrick Harris, and Tyler Perry) and the screenplay writer,
Gillian Flynn. Flynn actually wrote the novel and the screenplay. I have not
read the novel, but the screenplay is incredible as well as the story, so I
have little doubts that I would not enjoy the novel.
As Fincher
does in Zodiac, The Curious Case of Benjamin Button, and The Girl with the
Dragon Tattoo, he takes a 2 ½ hour movie and makes every moment count. He makes
it seem fast-paced. He makes it seem like it’s less than 2 ½ hours long. He
does that here. The film is long and many things happen in the film, but
Fincher’s attention-to-detail direction makes this film enthralling. He of
course makes a great-looking movie. The color scheme of the film is incredible.
The cinematography and production design are fantastic to look at. The shots
are framed so perfectly and the editing choices really put an impact on the
film.
After a
while in this movie I stopped focusing on the filmmaking of the film because I
was drawn in to the story. I was riveted. The film is so complex and all of the
twists and turns work. They do not feel showy or flashy; they feel like they
could actually happen given the past events. And even after the film would take
a huge turn and the story would be flipped over, I was not pulled out of the
movie and I never started enjoying it less.
The dialogue
in this movie is very thick and full of depth. It’s not like dialogue in some
movies where it’s just plot exposition and stupidity. Here, it seems like real conversation
and it adds so much depth to the characters. It is used to further the plot at
times, but it’s also used to make scenes enthralling at times. It’s used to
make the film more realistic. It’s used to make the film better.
There is no “character
development” section of this movie at the beginning. Yes, the plot does not
start immediately. We do have a little time to introduce the situation…but the
plot does get started very quickly. The character development lasts the entire
film. The characters are developed inside
of the action and through the plot. There is some dialogue that we learn about
them from, but we also learn a lot about them from their actions in the plot. Because
of this, the plot never turns off so we can learn a quick fact about the main
character; the plot is always on and so is the character development. And
because of that, nearing the end of the film I started to think about what the
characters were thinking. I was trying to get into their heads and find out
what they were planning to do. They were so thick and so developed that it was almost
like they were real people. It’s very hard, but there are some films that can
almost make you think of its characters as real people. I didn’t quite get to
the point in which I thought of these characters to be real, but the film was
only one or two steps away from that.
The
performances in still film are fantastic. I think this may possibly be the best
Ben Affleck performance in a film that he did not direct. He is so good here to
give the character likability but also a strangeness that comes out later. He
is very natural in his performance; he gives a lot to this character. Rosamund
Pike is incredible here. She is absolutely fantastic. Tyler Perry is also great
here. I was hard to picture him in his usual, silly roles while watching this
movie. He has found a serious role that works so well for him. Neil Patrick
Harris was…ok. He had some times when he seemed like he was acting; he seemed
wooden at times. There were times that we seemed more natural as the character,
but I can’t quite say if that was acting talent from him or directing talent
from Fincher. But still, overall, the performances were very good.
Throughout
the first act of this film, the genius filmmaking by David Fincher combined with
the strange ongoing music together creates a strange tone of… almost fakeness.
The tone interplays with the story here… and I really think it shows Fincher’s
talent here. He is able to create this tone with little other add-ons to help
him. This tone is modified throughout the story, another reason I think that
Fincher is an incredibly director. The changing tone is another thing in this
movie that really makes it special.
The incredibly
filmmaking of David Fincher makes this film a riveting experience from
beginning to end with no interruptions of the plot for something unnecessary.
The character development happens inside of the plot. The huge twists and turns
do not affect how enjoyable the film can be. It’s a tremendously entertaining
and engaging film that had me on the edge of my seat. Gone Girl is one of my
favorite films so far this year.
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